It has been said that you can’t go home again and for Peter Parker, the journey home has been rougher then the average person. In “Far From Home”, we left the web slinger watching his world and secret identity being exposed to the world. Now, two years and some corporate entities coming to terms, we have our first look at the next entry in the saga of everyone’s favorite neighborhood Spiderman.
The world has been patiently waiting for our first look at the post “Far From Home” world and it was worth the wait. We get a quick taste of how Peter’s life is upside down and what lengths he is willing to go to fix things, but the problem is the aftermath of this resolution and the effects he is not ready to put into action. In this confusion and deeper dive into the multiverse, we get a peek into the variant worlds of the web slinger and some ghost’s of franchises past are unleashed in this current Marvel Cinematic Universe.
This trailer is the tip of the titanic sized iceberg, we know the casting “rumors” and the road leading to this film’s release, so the “No Way Home” reveals should be unleashed faster and we will be ready.
Spider-Man: No Way Home Hits Theaters December 17,2021
(Joshua Gilmore-Staff Writer) In July, Nowhere California launched the first edition of “The Greatest Scene Ever.. This Week” and in a reverse of any truth in labeling laws, it’s time for the next installment. Before we continue, let us remind you about the reason behind this article.
“The Greatest Scene Ever.. This Week” gives the Nowhere California faction and our followers a chance to take a long, hard look at a specific scene of interest from the world of pop culture. The scenes in question will be selected for their importance and will be deconstructed in that special Nowhere California way, but there will be some random times where the scene will speak for itself and we’ll add our own commentary into that mix.
The first installment of this article took us to the familiar surroundings of the movie theater, but I will be taking a trip to the couch and the small screen. This scene comes from the iconic television series M*A*S*H, this series was based on the movie from 1970 (which was based on the book written by Richard Hooker) and the series ran for 11 seasons.
I’ll save you from the history lesson on M*A*S*H, since this show predates most of you, but I would highly recommend checking out this series as a whole. If you take that trip, enter with an open mind and realize that some of this shows aspects are clearly out of date, but the creativity and positives outweigh the negatives and this moment from “Abyssinia, Henry” will show why.
The original air date for this episode was March 18,1975 (Season 3 Episode 24) and saw the closing to the story of Lt. Col. Henry Blake (played by McLean Stevenson) Blake was discharged from the ARMY and everyone at the 4077 prepare to say their goodbyes, but the story doesn’t end there and it doesn’t end happily.
At this time, this scene was groundbreaking and shocking to the television viewers. M*A*S*H was exposing people to the side of a war no one could imagine and this series had just killed off a major character. Normally, a character would leave and their story would end there, but the creative minds wanted to take it to a new level.
As stated above, this series predates many of the readers of this site and predates the internet, so there have been varying takes on how this scene unfolded before the cameras rolled and the truth is better then fiction on this one, as a long standing myth had been debunked in recent years.
The urban legend was that none of the actors knew about this closing scene, they were called to set and reacted to the announcement of Radar for the first time. Personally, I ran with this information and recently learned the truth. The first part of this information came from the pages of “The Complete Book Of M*A*S*H” and from the man that portrayed Cpl. Maxwell Q. Klinger, Jamie Farr.
Farr says in the book, “The last episode of the third year … when we read the script page and found out that Henry died, we were all stunned, and Larry Gelbart asked for comments and a lot of people had their say. But I didn’t say anything because I didn’t think they would really care what I had to say. I happened to agree with doing it, but I didn’t say a word. The whole thing about Henry’s death was very hush-hush. I had already finished my scenes and was at home waiting for a call about the end of season wrap party. Loretta Swit was finished also. Then I got a call from the studio asking me to come in for an added scene, and they said Loretta was coming, too. I asked if I needed the pages ahead of time, if I had to study any lines, and they said no, not to worry, it was a quick scene in the OR and just to come on in. I said fine. I came down and they called all the regulars into a corner and Larry had a big manila envelope and he pulled out these pages. We couldn’t believe what we had read. We blocked it without saying a word so the crew wouldn’t know anything until we actually did it.”
This story was confirmed by the series creator, Larry Gelbart. Gelbart confirmed the story in his book “Laughing Matters” He discusses the casts reactions to Blake’s finale and how the production unfolded.
“Having Henry die was not a show-business decision; we were not punishing an actor for leaving the series. We were trying to make his departure one that would be apt, as well as memorable,” Gelbart made this comment when some people thought the character’s death was revenge toward Stevenson’s departure.
The history of television will have multiple iconic moments and the death of Henry Blake still hits the right emotional buttons. M*A*S*H is part of the foundation that modern television is built on, but this show could not happen today and that is a good thing. M*A*S*H was a moment in time and the moments where the world learns the fate of Henry Blake will not be forgotten. In the creative world, this was a game changer and this scene opened the door on taking a risk, when your audience would least expect it.
He may be the man with the golden gun, but his release dates seem to have time to die. In the current normal of the cinematic world, the 25th installment of the James Bond franchise has been moved to the hopefully non-cursed calendar year of 2021.
“MGM, Universal and Bond producers, Michael G Wilson and Barbara Broccoli, today announced the release of ‘No Time To Die,’ the 25th film in the James Bond series, will be delayed until 2 April in order to be seen by a worldwide theatrical audience,” the filmmakers said in a statement. “We understand the delay will be disappointing to our fans but we now look forward to sharing ‘No Time To Die’ next year.”
As the year 2020 continues to be the year that fun forgot, this move is not a shock to the movie watching world and is understandable, as the movie release path has become a minefield and studios know they need to make the right decision for their important releases. The path for Bond deserves to end on the big screen, as this installment of the iconic franchise will mark the last mission for Daniel Craig and give us a new entry into the grand library of James Bond theme songs.
“It feels crazy to be a part of this in every way. To be able to score the theme song to a film that is part of such a legendary series is a huge honor,” Billie Eilish said in a recent press release.
This song “No Time To Die” was written by Billie Eilish and makes her the youngest artist to produce a song for this franchise. Eilish enters the landscape of Bond movie theme history with such greats as Paul McCartney, A-Ha, and Adele.
James Bond is a movie series that will not die. The legacy is built upon iconic characters, writing, and music, but will this movie have the same impact if the movie watching public has to wait longer or even have to settle with a smaller screen, but for now “No Time To Die” is set to be release in the spring of 2021.
The first ever San Diego Comic-Con@HOME is a wrap and the only con crud case is traced to some under cooked pizza rolls in Oxnard. Anyways, there is a lot of announcements and other important news that came from this event, but we have to take a traditional trip to HALL H and check in with the Comic-Con icon Kevin Smith.
Well, I should correct myself, in a year where some traditions have had to change and Comic Con is a great example of this, this traditional trip detoured from HALL H to the Fat Cave. Kevin was true to form and lead the viewers through the current happenings in his universe. We learned about new merchandise and the current status of his future projects, but the biggest surprise came in the form of the world’s first look at “KILLROY WAS HERE”
This film was written by Kevin Smith and Andy McElfresh (co-host of the Edumacation podcast) Also, “KILLROY WAS HERE” has been in the works for awhile and the concept predates Kevin’s heart attack with Krampus in the lead monster role. Now, that time has passed and another Krampus movie has been released, we get KILLROY and the world is definitely ready.
Kevin describes KILLROY as “kind of like a kid Avenger… if you fuck with kids, KILLROY will show up.” That is pretty evident from the trailer and some evil fucks will be on the business end of Roy’s rage. The cast is stacked with some of Kevin Smith’s regulars and some new talented individuals are in the mix.
Currently, “KILLROY WAS HERE” does not have a release date or studio for distribution, so continue to watch this site or Kevin Smith’s site/social network for any breaking news.
YouTube had the great idea of starting original programming and this lead to the birth of the series known as “Cobra Kai.” This series is set decades after the original “Karate Kid” films and follows Johnny Lawrence (played by William Zabka). Lawerence is middle aged and running low on luck, so he reopens the infamous Cobra Kai dojo in an attempt to get his life in order.
As the series unfolds, Lawerence begins to teach a band of misfits and crosses paths with ghosts from his pasts, one of the biggest ghosts being Daniel LaRusso (played by Ralph Maccio). LaRusso is now a successful car dealer and has issues with Lawerence reopening the dojo, leading to their famous martial-arts rivalry restarting.
Since Cobra Kai’s May 2018 debut on YouTube, the show has had two incredibly popular seasons and started work on a third season, but YouTube changed their plans and pulled the plug on their original series. This could have been the end of “Cobra Kai”, but the show was able to quickly find a new home at Netflix.
On August 28th 2020, the first two seasons of “Cobra Kai” will be released on the streaming platform and, hopefully, this will quickly lead to an announcement for the release of season 3.
It’s a given, the world of Hollywood will stick to a sure thing and we are looking down the barrel of more reboots and remakes. The question is what property will be that best bet and Miramax has put their chips on the FLETCH line… again.
The studio has announced that the investigative reporter, originally played by Chevy Chase, will return to the big screen (or small, depending the state of movie viewing) with Jon Hamm entering the role of Irwin “Fletch” Fletcher.
“Fletch’s duration over audiences – whether told on paper or the big screen – entertains all and we could not be more thrilled to see what twenty-first century twist these artists create,” said Miramax CEO Bill Block.
The FLETCH world has been in a holding pattern for several years, with reboots that have gotten lost in pre-production hell. Now, with this development, the fans of this franchise can look forward a new chapter for this character. Along with acting duties, Hamm will step into the role of producer with manager Connie Tavel. Also, Greg Mottola is set to direct this production and television writer, Zev Borow is set to pen the screenplay.
“Producing this film with Jon has been a long-time dream of mine and with Zev and Greg on board to write and direct, I really believe that this will be an exciting and modern reimagining of this beloved character,” said Tavel.
Since this is a developing story, a production start date hasn’t been announced and details can change at random, but key plot points have been released. The film will be set in modern days, so we’ll not have a 80’s nostalgia flashback, and will take its story from the 1976 novel “Confess, Fletch” In which a mysterious series of events lands Fletch in the middle of multiple murders, with one of the cases names him as a prime suspect. During his attempts to prove his innocence, Fletch has to search for his fiancée’s stolen art collection and this collection is her only inheritance from her missing, but presumed dead father.
The pieces are in the right place and Fletch could stand a chance of a franchise resurrection, but are the modern movie goers ready for the return of this comedy icon or has this hero been lost in the forgotten cult film wastelands. As the film breaks away from the pre-production hell, fans can hope it’s time for Irwin’s return to the spotlight.
The DC Animated Universe has set the bench mark with every release and they are ready for another beginning. As “Justice League Dark: Apokolips War” finishes the timeline that began with the 2013 “Justice League: The Flashpoint Paradox”, Warner Bros. and DC are ready to hit the reset button. It’s time to check out the Man of Steel’s origins… again.
“Superman: Man Of Tomorrow” brings a new slant to one of the great comic book orgin of all-time, but before we dive into the trailer, I feel the need to point out the #MeToo elephant in the room. This story might look a little familiar to the trained eye, as this film is rumored to be loosely based on the comic “Superman:American Alien” and that book was written by a scumbag that I will not waste my breath to name, but through a little research and multiple source checks, that name in question is not linked to this project.
Now, with that out of the way, we return to the positive at hand and take a look at this preview of Kal-El’s younger years. In this film, as the official synopsis puts it…
Daily Planet intern Clark Kent takes learning-on-the-job to new extremes when Lobo and Parasite set their sights on Metropolis.
As the trailer and synopsis shows, we are heading from the farm and Metropolis with Clark Kent (voiced by Darren Criss). He is young and he is learning some new powers, but things are different this time around as Lobo makes a grand entrance into the Superman theatrical mythos.
The Cosmic Bounty Hunter (voiced by The Walking Dead’s Beta, Ryan Hurst) is ready to put Superman to the test and he is not alone, as Parasite is added into the mix. Before you wonder if Superman will be standing alone, he will not and he will get an assist from the legendary Martian Man Hunter.
“Superman: Man of Tomorrow” was written by Tim Sheridan, who co-wrote “Reign of the Supermen”, and directed by Chris Palmer. This production has gathered some big names to bring this world to life and takes the viewers on a familiar journey. This story has been told a few times, but this trailer peaks some interest on the return trip.
Superman: Man of Tomorrow Will Be Released August 2020
You read that correctly and it’s a movie that you will not expect. The streaming service HBO Max has released the trailer for “An American Pickle”, this film will be their first original film since the service’s May 2020 launch.
“An American Pickle” stars Seth Rogen in dual roles as Herschel Greenbaum and Ben Greenbaum. Herschel is an American immigrant in the 1920’s, he tries to live the American dream and gets a job inside a factory. After a twist of fate and a fall into a vat of pickles, he is brined and awakens 100 years later. Now, in this new world, he meets his great-grandson Ben and they attempt to connect on levels that could never be imagined in a great twist to the time travel genre.
This film was written by Simon Rich, who adapted the script from his own 2013 short story “Sell Out” and was directed by Brandon Trost, who has directed multiple shorts and “The FP” with his brother Jason.
Originally, “An American Pickle” was set to be distributed by SONY Pictures and receive a theatrical release, but in the pandemic world, things changed and HBO Max gain the film for the streaming viewers at home.
“An American Pickle” will be released on August 6th
In a world that is still in the grips of a toilet paper shortage, there is only one hero to call upon. The great and powerful Cornholio!
Beavis and Butt-Head will return to the small screen, after a short lived return in 2011 and take part in revamped animation line-up for Comedy Central. The cable network is checking all of the correct boxes with this project by having Mike Judge returning to helm his creation.
“Beavis and Butt-Head were a defining voice of a generation, and we can’t wait to watch as they navigate the treacherous waters of a world light-years from their own,” Chris McCarthy of Comedy Central told Deadline.com.
The comedy cable network is showing great faith in an established franchise, but how will these Gen-Xers stand toe-to-toe in the pop culture landscape of today. As this news is still developing, there is no set production or release date scheduled and it will be interesting to see what else Comedy Central will have in store for their animation line-up.
What if you lived the same day on a never ending loop? Would you make the most of your time or go on a rampage? In the past, the cinematic world answered this question with the classic “Groundhog Day” and most recently with the horror series “Happy Death Day”. Now, Hulu and NEON Productions will bring a new answer to the small screen (and selected larger screens, depending on the state of the world) with “Palm Springs”.
“Palm Springs” is a darkly edged romantic comedy that follows Sarah (played by Cristin Milioti) to Palm Springs for a wedding. As Sarah tries to make it through the wedding, she crosses paths with Nyles (played by Andy Samberg) who seems to live a carefree existence and they connect at the event, but her world quickly gets stuck on repeat and Nyles becomes her seasoned guide in this insane world.
This film was directed by Max Barbakow, who developed the story with screen writer Andy Siara and “Palm Springs” premiered at the 2020 Sundance Film Festival to rave reviews. Also, Hulu and NEON bought this film for a festival record breaking $17.5 million, which will lead to a July 10th streaming premiere on Hulu services.
What are your thoughts on this trailer? Will you watch it? Tell us your thought in the comments or firstname.lastname@example.org