On the heels of one of the coolest teaser trailers ever, today we got our first glimpse into the new and improved Matrix universe. We get to see Carrie Ann Moss return as Trinity as well as KeNu Reeves as the mythic Thomas Anderson…? No seriously, his old persona seems to be all that remains. The One, Neo clearly doesn’t remember his previous form and it seems the basis of Resurrections is to help him rediscover who he truly is. Now I’ll shut up so you can watch the trailer below. The Matrix Resurrection is slated to hit theaters on 12/22/2021.
It has been said that you can’t go home again and for Peter Parker, the journey home has been rougher then the average person. In “Far From Home”, we left the web slinger watching his world and secret identity being exposed to the world. Now, two years and some corporate entities coming to terms, we have our first look at the next entry in the saga of everyone’s favorite neighborhood Spiderman.
The world has been patiently waiting for our first look at the post “Far From Home” world and it was worth the wait. We get a quick taste of how Peter’s life is upside down and what lengths he is willing to go to fix things, but the problem is the aftermath of this resolution and the effects he is not ready to put into action. In this confusion and deeper dive into the multiverse, we get a peek into the variant worlds of the web slinger and some ghost’s of franchises past are unleashed in this current Marvel Cinematic Universe.
This trailer is the tip of the titanic sized iceberg, we know the casting “rumors” and the road leading to this film’s release, so the “No Way Home” reveals should be unleashed faster and we will be ready.
Spider-Man: No Way Home Hits Theaters December 17,2021
(Joshua Gilmore-Staff Writer) Satu Runa is not a stranger to the land of Nowhere California. In our early life, we crossed paths in the convention world and learned about the project known as “Queen Gorya.” Now, after a few years and a creative evolution on both sides, Satu has returned to the world of Kickstarter with a different crown on top of her head.
As of this writing, Satu is crowd funding a one woman musical entitled “King Nigel’s Nervous Breakdown” This production was created and stars Satu as the title character who is a rising musician that has to come to terms with a trouble past and over come a nervous breakdown.
I could attempt to explain this project and production more, but I would recommend hearing it from the creator herself.
This is a simple piece, because the information is above for you to consume. As I stated above, the Nowhere California team has been lucky enough to watch Satu escalate and develop her talents. The time we were able to watch “Queen Gorya” go from kickstarter to screen was a lesson of dedication and passion for the craft, from the looks of King Nigel it doesn’t look like anything has change and has only evolved.
There is only a few short days remaining for this project and I would recommend giving this project a shot, even if the goal is reached, continue to support until the time hits zero. Throughout our almost 10 year existence, Nowhere California has taken pride in spotlighting the world of independent creativity and this is a project that deserves to stand center stage.
The cold months have finished and the hiatus is finally over, the time has returned for the guys from Nowhere to show off their junk. As I let that opener sink in, I will give you the traditional reminder of what this column is all about and avoid hate mail or unsolicited nudity.
Show Us Your Junk is the reoccurring article from Nowhere California that can be summed up as an ongoing pop culture show and tell. The team behind Nowhere are hardcore nerds and collectors, so they have some stories to share and they hope you will be ready to jump in the mix, but more on that later.
In this installment, I stick my toes into the world of unboxing and show off my latest delivery from Loved Again Media..
Loved Again Media is a movie addict’s dream and I’m not being paid to say that. This is a company to take a bigger look at and this will not be the last time you hear about this service on Nowhere California.
(Joshua Gilmore-Staff Writer) In July, Nowhere California launched the first edition of “The Greatest Scene Ever.. This Week” and in a reverse of any truth in labeling laws, it’s time for the next installment. Before we continue, let us remind you about the reason behind this article.
“The Greatest Scene Ever.. This Week” gives the Nowhere California faction and our followers a chance to take a long, hard look at a specific scene of interest from the world of pop culture. The scenes in question will be selected for their importance and will be deconstructed in that special Nowhere California way, but there will be some random times where the scene will speak for itself and we’ll add our own commentary into that mix.
The first installment of this article took us to the familiar surroundings of the movie theater, but I will be taking a trip to the couch and the small screen. This scene comes from the iconic television series M*A*S*H, this series was based on the movie from 1970 (which was based on the book written by Richard Hooker) and the series ran for 11 seasons.
I’ll save you from the history lesson on M*A*S*H, since this show predates most of you, but I would highly recommend checking out this series as a whole. If you take that trip, enter with an open mind and realize that some of this shows aspects are clearly out of date, but the creativity and positives outweigh the negatives and this moment from “Abyssinia, Henry” will show why.
The original air date for this episode was March 18,1975 (Season 3 Episode 24) and saw the closing to the story of Lt. Col. Henry Blake (played by McLean Stevenson) Blake was discharged from the ARMY and everyone at the 4077 prepare to say their goodbyes, but the story doesn’t end there and it doesn’t end happily.
At this time, this scene was groundbreaking and shocking to the television viewers. M*A*S*H was exposing people to the side of a war no one could imagine and this series had just killed off a major character. Normally, a character would leave and their story would end there, but the creative minds wanted to take it to a new level.
As stated above, this series predates many of the readers of this site and predates the internet, so there have been varying takes on how this scene unfolded before the cameras rolled and the truth is better then fiction on this one, as a long standing myth had been debunked in recent years.
The urban legend was that none of the actors knew about this closing scene, they were called to set and reacted to the announcement of Radar for the first time. Personally, I ran with this information and recently learned the truth. The first part of this information came from the pages of “The Complete Book Of M*A*S*H” and from the man that portrayed Cpl. Maxwell Q. Klinger, Jamie Farr.
Farr says in the book, “The last episode of the third year … when we read the script page and found out that Henry died, we were all stunned, and Larry Gelbart asked for comments and a lot of people had their say. But I didn’t say anything because I didn’t think they would really care what I had to say. I happened to agree with doing it, but I didn’t say a word. The whole thing about Henry’s death was very hush-hush. I had already finished my scenes and was at home waiting for a call about the end of season wrap party. Loretta Swit was finished also. Then I got a call from the studio asking me to come in for an added scene, and they said Loretta was coming, too. I asked if I needed the pages ahead of time, if I had to study any lines, and they said no, not to worry, it was a quick scene in the OR and just to come on in. I said fine. I came down and they called all the regulars into a corner and Larry had a big manila envelope and he pulled out these pages. We couldn’t believe what we had read. We blocked it without saying a word so the crew wouldn’t know anything until we actually did it.”
This story was confirmed by the series creator, Larry Gelbart. Gelbart confirmed the story in his book “Laughing Matters” He discusses the casts reactions to Blake’s finale and how the production unfolded.
“Having Henry die was not a show-business decision; we were not punishing an actor for leaving the series. We were trying to make his departure one that would be apt, as well as memorable,” Gelbart made this comment when some people thought the character’s death was revenge toward Stevenson’s departure.
The history of television will have multiple iconic moments and the death of Henry Blake still hits the right emotional buttons. M*A*S*H is part of the foundation that modern television is built on, but this show could not happen today and that is a good thing. M*A*S*H was a moment in time and the moments where the world learns the fate of Henry Blake will not be forgotten. In the creative world, this was a game changer and this scene opened the door on taking a risk, when your audience would least expect it.
He may be the man with the golden gun, but his release dates seem to have time to die. In the current normal of the cinematic world, the 25th installment of the James Bond franchise has been moved to the hopefully non-cursed calendar year of 2021.
“MGM, Universal and Bond producers, Michael G Wilson and Barbara Broccoli, today announced the release of ‘No Time To Die,’ the 25th film in the James Bond series, will be delayed until 2 April in order to be seen by a worldwide theatrical audience,” the filmmakers said in a statement. “We understand the delay will be disappointing to our fans but we now look forward to sharing ‘No Time To Die’ next year.”
As the year 2020 continues to be the year that fun forgot, this move is not a shock to the movie watching world and is understandable, as the movie release path has become a minefield and studios know they need to make the right decision for their important releases. The path for Bond deserves to end on the big screen, as this installment of the iconic franchise will mark the last mission for Daniel Craig and give us a new entry into the grand library of James Bond theme songs.
“It feels crazy to be a part of this in every way. To be able to score the theme song to a film that is part of such a legendary series is a huge honor,” Billie Eilish said in a recent press release.
This song “No Time To Die” was written by Billie Eilish and makes her the youngest artist to produce a song for this franchise. Eilish enters the landscape of Bond movie theme history with such greats as Paul McCartney, A-Ha, and Adele.
James Bond is a movie series that will not die. The legacy is built upon iconic characters, writing, and music, but will this movie have the same impact if the movie watching public has to wait longer or even have to settle with a smaller screen, but for now “No Time To Die” is set to be release in the spring of 2021.
YouTube had the great idea of starting original programming and this lead to the birth of the series known as “Cobra Kai.” This series is set decades after the original “Karate Kid” films and follows Johnny Lawrence (played by William Zabka). Lawerence is middle aged and running low on luck, so he reopens the infamous Cobra Kai dojo in an attempt to get his life in order.
As the series unfolds, Lawerence begins to teach a band of misfits and crosses paths with ghosts from his pasts, one of the biggest ghosts being Daniel LaRusso (played by Ralph Maccio). LaRusso is now a successful car dealer and has issues with Lawerence reopening the dojo, leading to their famous martial-arts rivalry restarting.
Since Cobra Kai’s May 2018 debut on YouTube, the show has had two incredibly popular seasons and started work on a third season, but YouTube changed their plans and pulled the plug on their original series. This could have been the end of “Cobra Kai”, but the show was able to quickly find a new home at Netflix.
On August 28th 2020, the first two seasons of “Cobra Kai” will be released on the streaming platform and, hopefully, this will quickly lead to an announcement for the release of season 3.
It’s a given, the world of Hollywood will stick to a sure thing and we are looking down the barrel of more reboots and remakes. The question is what property will be that best bet and Miramax has put their chips on the FLETCH line… again.
The studio has announced that the investigative reporter, originally played by Chevy Chase, will return to the big screen (or small, depending the state of movie viewing) with Jon Hamm entering the role of Irwin “Fletch” Fletcher.
“Fletch’s duration over audiences – whether told on paper or the big screen – entertains all and we could not be more thrilled to see what twenty-first century twist these artists create,” said Miramax CEO Bill Block.
The FLETCH world has been in a holding pattern for several years, with reboots that have gotten lost in pre-production hell. Now, with this development, the fans of this franchise can look forward a new chapter for this character. Along with acting duties, Hamm will step into the role of producer with manager Connie Tavel. Also, Greg Mottola is set to direct this production and television writer, Zev Borow is set to pen the screenplay.
“Producing this film with Jon has been a long-time dream of mine and with Zev and Greg on board to write and direct, I really believe that this will be an exciting and modern reimagining of this beloved character,” said Tavel.
Since this is a developing story, a production start date hasn’t been announced and details can change at random, but key plot points have been released. The film will be set in modern days, so we’ll not have a 80’s nostalgia flashback, and will take its story from the 1976 novel “Confess, Fletch” In which a mysterious series of events lands Fletch in the middle of multiple murders, with one of the cases names him as a prime suspect. During his attempts to prove his innocence, Fletch has to search for his fiancée’s stolen art collection and this collection is her only inheritance from her missing, but presumed dead father.
The pieces are in the right place and Fletch could stand a chance of a franchise resurrection, but are the modern movie goers ready for the return of this comedy icon or has this hero been lost in the forgotten cult film wastelands. As the film breaks away from the pre-production hell, fans can hope it’s time for Irwin’s return to the spotlight.
2011 was a banner year for movies but one movie that came out was a movie that divided alot of people. Drive starring Ryan Gosling followed the story of a Hollywood stunt driver/mechanic who lived a secret life as a getaway driver for the seedy underbelly of Los Angeles. The movie was full of some really talented actors including Bryan Cranston, Oscar Issacs, and the love interest to Ryan Gosling, Carrey Mulligan. The second half of the movie revolves a lot around Mulligan’s family and the effect that the partnership of Gosling/Issacs has on their lives as the seedy underbelly starts to aim its sights at Driver and his associates. The scene I will be talking about today occurs in the first half of the movie when things are still calm and full of quaint moments showing how 2 lives can come together in a matter of moments.
We find out very early early in the movie that Irene and Driver are neighbors, and they know of each other but don’t know each other. After finding her and her son stranded in a grocery store parking lot because of a busted car, he takes her home and has the very standard getting to know you talk. Now to skip ahead to the scene I am referring to, Driver has taken Irene and Benencio on a nice little adventure and he has carried her son to bed using his infamous jacket as a blanket for little Benencio. Now before looking at this scene let’s remember that most modern movies now are full of scene guiding dialogue and lots of cuts to help keep the audience focused on the screen.
The first thing that jumps out on this scene, it is done in one single take. We see Driver sitting by the window looking out at Downtown LA when Irene walks over to him with his jacket. This whole scene is meant to show the beginning of the feelings they share for one another but very little is actually spoken and in a true Art imitating Life moment the characters really don’t speak much but communicate more through their eyes and body language. When you first start developing feelings for someone you don’t sit next to each other and have a expostional talk about your feelings. No, you look into each other’s eyes, you have a small amount of awkward tension in the air, but it’s the sitting next to each other and how you look at each other that speaks your feelings.
That is what the director Nicolas Winding Refn does here: body language, sweet eyes, awkward small talks. The entirety of the scene leads to Driver offering to take Irene anywhere she needs to go that weekend as she has no car at the moment. A very good gesture that shows compassion, the difference being they stared at each other speechless for a very long moment before either of them spoke. Also the camera has never changed, still it sits in a neutral space between them, capturing the moment that 2 people realize they have some real feelings for the other person. The thing about this scene and other scenes like it in the movie is, this kind of filmmaking turned alot of people off of the movie. This style of filmmaking is a very classic movie, art house style of shooting, so for a studio to put out this film with this style to a large audience, most of those going to see the new Gosling movie didn’t understand the nuances that were being conveyed. But it’s those nuances in this scene, that make this my “Greatest Scene Ever *This Week.”
The DC Animated Universe has set the bench mark with every release and they are ready for another beginning. As “Justice League Dark: Apokolips War” finishes the timeline that began with the 2013 “Justice League: The Flashpoint Paradox”, Warner Bros. and DC are ready to hit the reset button. It’s time to check out the Man of Steel’s origins… again.
“Superman: Man Of Tomorrow” brings a new slant to one of the great comic book orgin of all-time, but before we dive into the trailer, I feel the need to point out the #MeToo elephant in the room. This story might look a little familiar to the trained eye, as this film is rumored to be loosely based on the comic “Superman:American Alien” and that book was written by a scumbag that I will not waste my breath to name, but through a little research and multiple source checks, that name in question is not linked to this project.
Now, with that out of the way, we return to the positive at hand and take a look at this preview of Kal-El’s younger years. In this film, as the official synopsis puts it…
Daily Planet intern Clark Kent takes learning-on-the-job to new extremes when Lobo and Parasite set their sights on Metropolis.
As the trailer and synopsis shows, we are heading from the farm and Metropolis with Clark Kent (voiced by Darren Criss). He is young and he is learning some new powers, but things are different this time around as Lobo makes a grand entrance into the Superman theatrical mythos.
The Cosmic Bounty Hunter (voiced by The Walking Dead’s Beta, Ryan Hurst) is ready to put Superman to the test and he is not alone, as Parasite is added into the mix. Before you wonder if Superman will be standing alone, he will not and he will get an assist from the legendary Martian Man Hunter.
“Superman: Man of Tomorrow” was written by Tim Sheridan, who co-wrote “Reign of the Supermen”, and directed by Chris Palmer. This production has gathered some big names to bring this world to life and takes the viewers on a familiar journey. This story has been told a few times, but this trailer peaks some interest on the return trip.
Superman: Man of Tomorrow Will Be Released August 2020