Venom 2 trailer drops!

Talk about tongue tied…

Nicholas Dye (Staff Writer/Podcaster)

It’s finally here! The long awaited trailer for Venom: Let There Be Carnage has finally hit. I won’t over ramble so you can get to the sweet sweet symbiote action buuuut…there are three things I LOVED about this trailer. First, very little of Woody Harrelson’s Carnage (I hate over reveals!). Second, this is directed by Andy Serkis. If ANYONE knows how a movie with motion capture should flow it’s that guy!! Third, the line at the end of the trailer ONLY IN THEATERS. In our current world I think it’s a bold move and statement to make and I love it. Enough of my gas, check out the trailer for Venom: Let There Be Carnage, in theaters ONLY on September 24, 2021

Shang-Chi Teaser Trailer

Nicholas Dye (Staff Writer/Podcaster)

About a half an hour ago, we got our first teaser trailer for the upcoming Marvel film, Shang Chi and the Legend of the Ten Rings. Shang-Chi (Simu Liu) takes center stage and the Kung-Fu action is high. Although details are vague, we get a glimpse of Awkwafina as Katy and what appears to be the REAL Mandarin. Shang Chi and the Legend of the Ten Rings opens 9-3-2021 in theaters nationwide. Check out the trailer below.

Show Us Your Junk: The Return

(Joshua Gilmore-Staff Writer)

The cold months have finished and the hiatus is finally over, the time has returned for the guys from Nowhere to show off their junk. As I let that opener sink in, I will give you the traditional reminder of what this column is all about and avoid hate mail or unsolicited nudity.

Show Us Your Junk is the reoccurring article from Nowhere California that can be summed up as an ongoing pop culture show and tell. The team behind Nowhere are hardcore nerds and collectors, so they have some stories to share and they hope you will be ready to jump in the mix, but more on that later.

In this installment, I stick my toes into the world of unboxing and show off my latest delivery from Loved Again Media..


Loved Again Media is a movie addict’s dream and I’m not being paid to say that. This is a company to take a bigger look at and this will not be the last time you hear about this service on Nowhere California.

CLICK HERE For Everything Loved Again Media



The Greatest Scene Ever.. This Week: M*A*S*H

(Joshua Gilmore-Staff Writer)
In July, Nowhere California launched the first edition of “The Greatest Scene Ever.. This Week” and in a reverse of any truth in labeling laws, it’s time for the next installment. Before we continue, let us remind you about the reason behind this article.

“The Greatest Scene Ever.. This Week” gives the Nowhere California faction and our followers a chance to take a long, hard look at a specific scene of interest from the world of pop culture. The scenes in question will be selected for their importance and will be deconstructed in that special Nowhere California way, but there will be some random times where the scene will speak for itself and we’ll add our own commentary into that mix.

The first installment of this article took us to the familiar surroundings of the movie theater, but I will be taking a trip to the couch and the small screen. This scene comes from the iconic television series M*A*S*H, this series was based on the movie from 1970 (which was based on the book written by Richard Hooker) and the series ran for 11 seasons.

I’ll save you from the history lesson on M*A*S*H, since this show predates most of you, but I would highly recommend checking out this series as a whole. If you take that trip, enter with an open mind and realize that some of this shows aspects are clearly out of date, but the creativity and positives outweigh the negatives and this moment from “Abyssinia, Henry” will show why.

The original air date for this episode was March 18,1975 (Season 3 Episode 24) and saw the closing to the story of Lt. Col. Henry Blake (played by McLean Stevenson) Blake was discharged from the ARMY and everyone at the 4077 prepare to say their goodbyes, but the story doesn’t end there and it doesn’t end happily.

At this time, this scene was groundbreaking and shocking to the television viewers. M*A*S*H was exposing people to the side of a war no one could imagine and this series had just killed off a major character. Normally, a character would leave and their story would end there, but the creative minds wanted to take it to a new level.

As stated above, this series predates many of the readers of this site and predates the internet, so there have been varying takes on how this scene unfolded before the cameras rolled and the truth is better then fiction on this one, as a long standing myth had been debunked in recent years.

The urban legend was that none of the actors knew about this closing scene, they were called to set and reacted to the announcement of Radar for the first time. Personally, I ran with this information and recently learned the truth.
The first part of this information came from the pages of “The Complete Book Of M*A*S*H” and from the man that portrayed Cpl. Maxwell Q. Klinger, Jamie Farr.

Farr says in the book, “The last episode of the third year … when we read the script page and found out that Henry died, we were all stunned, and Larry Gelbart asked for comments and a lot of people had their say. But I didn’t say anything because I didn’t think they would really care what I had to say. I happened to agree with doing it, but I didn’t say a word.
The whole thing about Henry’s death was very hush-hush. I had already finished my scenes and was at home waiting for a call about the end of season wrap party. Loretta Swit was finished also. Then I got a call from the studio asking me to come in for an added scene, and they said Loretta was coming, too. I asked if I needed the pages ahead of time, if I had to study any lines, and they said no, not to worry, it was a quick scene in the OR and just to come on in. I said fine. I came down and they called all the regulars into a corner and Larry had a big manila envelope and he pulled out these pages. We couldn’t believe what we had read. We blocked it without saying a word so the crew wouldn’t know anything until we actually did it.”

This story was confirmed by the series creator, Larry Gelbart. Gelbart confirmed the story in his book “Laughing Matters” He discusses the casts reactions to Blake’s finale and how the production unfolded.

 “Having Henry die was not a show-business decision; we were not punishing an actor for leaving the series. We were trying to make his departure one that would be apt, as well as memorable,” Gelbart made this comment when some people thought the character’s death was revenge toward Stevenson’s departure.

The history of television will have multiple iconic moments and the death of Henry Blake still hits the right emotional buttons. M*A*S*H is part of the foundation that modern television is built on, but this show could not happen today and that is a good thing. M*A*S*H was a moment in time and the moments where the world learns the fate of Henry Blake will not be forgotten. In the creative world, this was a game changer and this scene opened the door on taking a risk, when your audience would least expect it.  

James Bond Moves… And Grooves.

(Joshua Gilmore-Staff Writer)

He may be the man with the golden gun, but his release dates seem to have time to die. In the current normal of the cinematic world, the 25th installment of the James Bond franchise has been moved to the hopefully non-cursed calendar year of 2021.

“MGM, Universal and Bond producers, Michael G Wilson and Barbara Broccoli, today announced the release of ‘No Time To Die,’ the 25th film in the James Bond series, will be delayed until 2 April in order to be seen by a worldwide theatrical audience,” the filmmakers said in a statement. “We understand the delay will be disappointing to our fans but we now look forward to sharing ‘No Time To Die’ next year.”

As the year 2020 continues to be the year that fun forgot, this move is not a shock to the movie watching world and is understandable, as the movie release path has become a minefield and studios know they need to make the right decision for their important releases. The path for Bond deserves to end on the big screen, as this installment of the iconic franchise will mark the last mission for Daniel Craig and give us a new entry into the grand library of James Bond theme songs.

“It feels crazy to be a part of this in every way. To be able to score the theme song to a film that is part of such a legendary series is a huge honor,” Billie Eilish said in a recent press release.

This song “No Time To Die” was written by Billie Eilish and makes her the youngest artist to produce a song for this franchise. Eilish enters the landscape of Bond movie theme history with such greats as Paul McCartney, A-Ha, and Adele.

James Bond is a movie series that will not die. The legacy is built upon iconic characters, writing, and music, but will this movie have the same impact if the movie watching public has to wait longer or even have to settle with a smaller screen, but for now “No Time To Die” is set to be release in the spring of 2021.

Comic Con@HOME: Kevin Smith And Killroy Were BLEEPING There..

 

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(Joshua Gilmore-Staff Writer)

The first ever San Diego Comic-Con@HOME is a wrap and the only con crud case is traced to some under cooked pizza rolls in Oxnard. Anyways, there is a lot of announcements and other important news that came from this event, but we have to take a traditional trip to HALL H and check in with the Comic-Con icon Kevin Smith.


Well, I should correct myself, in a year where some traditions have had to change and Comic Con is a great example of this, this traditional trip detoured from HALL H to the Fat Cave. Kevin was true to form and lead the viewers through the current happenings in his universe. We learned about new merchandise and the current status of his future projects, but the biggest surprise came in the form of the world’s first look at “KILLROY WAS HERE”


This film was written by Kevin Smith and Andy McElfresh (co-host of the Edumacation podcast) Also, “KILLROY WAS HERE”  has been in the works for awhile and the concept predates Kevin’s heart attack with Krampus in the lead monster role. Now, that time has passed and another Krampus movie has been released, we get KILLROY and the world is definitely ready.

Kevin describes KILLROY as “kind of like a kid Avenger… if you fuck with kids, KILLROY will show up.”  That is pretty evident from the trailer and some evil fucks will be on the business end of Roy’s rage. The cast is stacked with some of Kevin Smith’s regulars and some new talented individuals are in the mix.

Currently, “KILLROY WAS HERE” does not have a release date or studio for distribution, so continue to watch this site or Kevin Smith’s site/social network for any breaking news.

 

Netflix Is Ready To Sweep The Leg…

kai

(Joshua Gilmore-Staff Writer)

YouTube had the great idea of starting original programming and this lead to the birth of the series known as “Cobra Kai.” This series is set decades after the original “Karate Kid” films and follows Johnny Lawrence (played by William Zabka). Lawerence is middle aged and running low on luck, so he reopens the infamous Cobra Kai dojo in an attempt to get his life in order.

As the series unfolds, Lawerence begins to teach a band of misfits and crosses paths with ghosts from his pasts, one of the biggest ghosts being Daniel LaRusso (played by Ralph Maccio). LaRusso is now a successful car dealer and has issues with Lawerence reopening the dojo, leading to their famous martial-arts rivalry restarting.

kai1

Since Cobra Kai’s May 2018 debut on YouTube, the show has had two incredibly popular seasons and started work on a third season, but YouTube changed their plans and pulled the plug on their original series. This could have been the end of “Cobra Kai”, but the show was able to quickly find a new home at Netflix.

On August 28th 2020, the first two seasons of “Cobra Kai” will be released on the streaming platform and, hopefully, this will quickly lead to an announcement for the release of season 3.

Bill and Ted Face the Music Trailer #2

Bill and Ted Shredding MOST Excellently

(Nicholas Dye/Staff Writer)

The time has come for the second trailer and this time, it seems, our boys have run out of time while their kids are traveling…time…Oh look, I’ve gone cross-eyed. The second trailer for Bill and Ted Face the Music gives us a bigger glimpse at the lives Bill and Ted lead now and it seems things have taken a bogus turn. The guys are in marriage counseling, the future has given them a day to save the universe, their kids have gone to hell, and they still haven’t written THE song! Will the Wyld Stallyns save the universe or is 2020 really the year the world ends? Find out August 28th when Bill and Ted Face The Music hits theaters.

FLETCH Lives… Again?

fletch

(Joshua Gilmore-Staff Writer)

It’s a given, the world of Hollywood will stick to a sure thing and we are looking down the barrel of more reboots and remakes. The question is what property will be that best bet and Miramax has put their chips on the FLETCH line… again.

The studio has announced that the investigative reporter, originally played by Chevy Chase, will return to the big screen (or small, depending the state of movie viewing) with Jon Hamm entering the role of Irwin “Fletch” Fletcher.

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“Fletch’s duration over audiences – whether told on paper or the big screen – entertains all and we could not be more thrilled to see what twenty-first century twist these artists create,” said Miramax CEO Bill Block.

The FLETCH world has been in a holding pattern for several years, with reboots that have gotten lost in pre-production hell. Now, with this development, the fans of this franchise can look forward a new chapter for this character. Along with acting duties, Hamm will step into the role of producer with manager Connie Tavel. Also, Greg Mottola is set to direct this production and television writer, Zev Borow is set to pen the screenplay.

“Producing this film with Jon has been a long-time dream of mine and with Zev and Greg on board to write and direct, I really believe that this will be an exciting and modern reimagining of this beloved character,” said Tavel.

Since this is a developing story, a production start date hasn’t been announced and details can change at random, but key plot points have been released. The film will be set in modern days, so we’ll not have a 80’s nostalgia flashback, and will take its story from the 1976 novel “Confess, Fletch” In which a mysterious series of events lands Fletch in the middle of multiple murders, with one of the cases names him as a prime suspect. During his attempts to prove his innocence, Fletch has to search for his fiancée’s stolen art collection and this collection is her only inheritance from her missing, but presumed dead father.

The pieces are in the right place and Fletch could stand a chance of a franchise resurrection, but are the modern movie goers ready for the return of this comedy icon or has this hero been lost in the forgotten cult film wastelands. As the film breaks away from the pre-production hell, fans can hope it’s time for Irwin’s return to the spotlight.

The Greatest Scene EVER *This Week: Drive (2011)

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(Doug Porter – Staff Writer)

2011 was a banner year for movies but one movie that came out was a movie that divided alot of people. Drive starring Ryan Gosling followed the story of a Hollywood stunt driver/mechanic who lived a secret life as a getaway driver for the seedy underbelly of Los Angeles. The movie was full of some really talented actors including Bryan Cranston, Oscar Issacs, and the love interest to Ryan Gosling, Carrey Mulligan. The second half of the movie revolves a lot around Mulligan’s family and the effect that the partnership of Gosling/Issacs has on their lives as the seedy underbelly starts to aim its sights at Driver and his associates. The scene I will be talking about today occurs in the first half of the movie when things are still calm and full of quaint moments showing how 2 lives can come together in a matter of moments.

We find out very early early in the movie that Irene and Driver are neighbors, and they know of each other but don’t know each other. After finding her and her son stranded in a grocery store parking lot because of a busted car, he takes her home and has the very standard getting to know you talk. Now to skip ahead to the scene I am referring to, Driver has taken Irene and Benencio on a nice little adventure and he has carried her son to bed using his infamous jacket as a blanket for little Benencio. Now before looking at this scene let’s remember that most modern movies now are full of scene guiding dialogue and lots of cuts to help keep the audience focused on the screen.

The first thing that jumps out on this scene, it is done in one single take. We see Driver sitting by the window looking out at Downtown LA when Irene walks over to him with his jacket. This whole scene is meant to show the beginning of the feelings they share for one another but very little is actually spoken and in a true Art imitating Life moment the characters really don’t speak much but communicate more through their eyes and body language. When you first start developing feelings for someone you don’t sit next to each other and have a expostional talk about your feelings. No, you look into each other’s eyes, you have a small amount of awkward tension in the air, but it’s the sitting next to each other and how you look at each other that speaks your feelings.

That is what the director Nicolas Winding Refn does here: body language, sweet eyes, awkward small talks. The entirety of the scene leads to Driver offering to take Irene anywhere she needs to go that weekend as she has no car at the moment. A very good gesture that shows compassion, the difference being they stared at each other speechless for a very long moment before either of them spoke. Also the camera has never changed, still it sits in a neutral space between them, capturing the moment that 2 people realize they have some real feelings for the other person. The thing about this scene and other scenes like it in the movie is, this kind of filmmaking turned alot of people off of the movie. This style of filmmaking is a very classic movie, art house style of shooting, so for a studio to put out this film with this style to a large audience, most of those going to see the new Gosling movie didn’t understand the nuances that were being conveyed. But it’s those nuances in this scene, that make this my “Greatest Scene Ever *This Week.”